The Queen’s Moves in a Game of Chess
This series extrapolates specific feminist concerns within a larger societal framework. In chess the Queen is both the most powerful and most pursued piece. This series depicts the intersectionality of gender and class in forming power dynamics. The Queen is almost feral in her strength and agility yet is also often cornered and hunted, the aggressor and protector. The pawns are all men but unlike the King and clergy these men lack agency through their diminished status and thus express the abject state of those caught in the web of institutional control.
The Castle, oil on canvas, 68 x 50 inches, 1989
Move #2, oil on canvas, 68 x 56 inches, 1989
Move #3, oil on canvas, 68 x 50½ inches, 1990
Move #4, oil on canvas, 68 x 56 inches, 1990
Move #5, oil on canvas, 67 x 56 inches, 1990
Move #6, oil on canvas, 67 x 56 inches, 1990
Move #7, oil on canvas, 67 x 56 inches, 1990
Move #8, oil on canvas, 67 x 56 inches, 1990
Move #9, oil on canvas, 67 x 56 inches, 1990
Move #10, oil on canvas, 67 x 56 inches, 1991, collection of the Vorres Museum, Attica, Greece
Move #11, oil on canvas, 67 x 56 inches, 1991
Move #12, oil on canvas, 67 x 45 inches, 1991
The Bishop, The King, The Queen, oil on canvas, 67 x 135 inches, 1992
Pawn #1, oil on canvas, 17 x 17 inches, 1992
Pawn #2, oil on canvas, 17 x 17 inches, 1992, private collection, USA
Pawn #3, oil on canvas, 17 x 17 inches, 1989, private collection, USA
Pawn #4, oil on canvas, 17 x 17 inches, 1992, private collection, USA
Pawn #5, oil on canvas, 17 x 17 inches, 1989
Pawn #6, oil on canvas, 17 x 17 inches, 1992, private collection, USA
Pawn #7, oil on canvas, 17 x 17 inches, 1992
Pawn #8, oil on canvas, 17 x 17 inches, 1992